Naughty chat script

But that validation has to be done just once, when that input is received.It doesn't have to impact the performance of the program by doing it on every use of the variable like Dennis Williamson suggests. Because it has attracted low-quality or spam answers that had to be removed, posting an answer now requires 10 reputation on this site (the association bonus does not count).Here's a summary of the permutations that will give invalid results: #With variable set as an integer and evaluating to true/false #*** This will issue error warning and not run: ***** The_world_is_flat=0; if [ "$" -eq true ]; then #With variable set as an integer and evaluating to true/false #*** These statements will not evaluate properly: ***** The_world_is_flat=0; if [ "$" -eq true ]; then # if "$" = true ; then # if [ "$" == true ]; then # if "$" == true ; then #With variable set as an true/false builtin and evaluating to true/false #*** These statements will not evaluate properly: ***** The_world_is_flat=true; if "$" -eq true ; then # if [ "$" = 0 ]; then # if "$" = 0 ; then # if [ "$" == 0 ]; then # if "$" == 0 ; then So, now to what works.Use true/false builtins for both your comparison and your evaluations (as Mike Hunt noted, don't enclose them in quotes).Then use either or single or double equal sign (= or ==) and either single or double brackets ([ ] or ).Personally, I like the double equals sign because it reminds me of logical comparisons in other programming languages, and double quotes just because I like typing.

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But that validation has to be done just once, when that input is received.

It doesn't have to impact the performance of the program by doing it on every use of the variable like Dennis Williamson suggests. Because it has attracted low-quality or spam answers that had to be removed, posting an answer now requires 10 reputation on this site (the association bonus does not count).

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On the other side, crammed into the remaining space is a bearded wide-body named LEWIS BODINE, sho is also asleep. It gets brighter, lit from above, as MIR ONE enters FRAME and drops to the seafloor in a downblast from its thrusters. 6 The featureless gray clay of the bottom unrols in the lights of the subs. Stalactites of rust hang down so that at times it looks like a natural grotto, then the scene shifts and the lines of a ghostly undersea mansion can be seen again. It squeezes through the doorframe, scraping rust and wood chunks loose on both sides. LOVETT Okay, I want to see what's under that wardrobe door. The silt clears and Snoop's cameras show them what was under the door... ON THE SCREEN, in the glare of the lights, is the object of their quest: a small STEEL COMBINATION SAFE. STERN OF DECK OF KEDYSH - DAY THE SAFE, dripping wet in the afternoon sun, is lowered onto the deck of a ship by a winch cable. Brock nods to his technicians, and they set about drilling the safe's hinges. Now he is using deep submergence technology to work two and a half miles down at another famous wreck... He is with us live via satellite from a Russian research ship in the middle of the Atlantic... LOVETT ...a piece of paper that's been underwater for 84 years... Should this have remained unseen at the bottom of the ocean for eternity, when we can see it and enjoy it now...?

One is ahead of the other, and passes close enough to FILL FRAME, looking like a spacecraft blazing with lights, bristling with insectile manipulators. INSIDE, it is a cramped seven foot sphere, crammed with equipment. He's in his late forties, deeply tanned, and likes to wear his Nomex suit unzipped to show the gold from famous shipwrecks covering his gray chest hair. It towers above the seafloor, standing just as it landed 84 years ago. TIGHT ON THE EYEPIECE MONITOR of a video camcorder. The 22 foot long subs are like white bugs next to the enormous wreck. Snoop Dog goes down several decks, then moves laterally into the First Class Reception Room. Lovett moves closer, peering into the safe's wet interior. Nearby, other artifacts from the stateroom are being washed and preserved. She is on an Empire divan, in a pool of light that seems to radiate outward from her eyes. At her throat is a diamond necklace with one large stone hanging in the center. O.) I'd rather show you than tell you, and we think we're very close to doing just that. Her face is a wrinkled mass, her body shapeless and shrunken under a one-piece African-print dress. LOVETT Nobody called the recovery of the artifacts from King Tut's tomb grave robbing.

TILTING DOWN to follow it as it descends away into the limitless blackness below. ANATOLY MIKAILAVICH, the sub's pilot, sits hunched over his controls... He is a wiley, fast-talking treasure hunter, a salvage superstar who is part historian, part adventurer and part vacuum cleaner salesman. (REMOTELY OPERATED VEHICLE) pilot and is the resident Titanic expert. Brock Lovett's face fills the BLACK AND WHITE FRAME. The image pans to the front viewport, looking over Anatoly's shoulder, to the bow railing visible in the lights beyond. ANATOLY Is just your guilt because of estealing from the dead. Brock resumes his serious, pensive gaze out the front port, with the camera aimed at himself at arm's length. to see the sad ruin of the great ship sitting here, where she landed at in the morning, April 15, 1912, after her long fall from the world above. SNOOP'S VIDEO POV, moving through the cavernous interior. Glinting in the lights are the brass fixtures of the near-perfectly preserved fireplace. Nearby are the remains of a divan and a writing desk. Lovett grins wolfishly in anticipation of his greatest find yet. Buell is on the satellite phone with the INVESTORS. LOVETT You send out what I tell you when I tell you. Scrawled in the lower right corner is the date: April 14 1912. Lovett grabs a reference photo from the clutter on the lab table. a complex setting with a massive central stone which is almost heart-shaped. CUT TO: 16 INSERT A CNN NEWS STORY: a live satellite feed from the deck of the Keldysh, intercut with the CNN studio. HOUSE / CERAMICS STUDIO PULL BACK from the screen, showing the CNN report playing on a TV set in the living room of a small rustic house. O.) I've planned this expedition for three years, and we're out here recovering some amazing things... But her eyes are just as bright and alive as those of a young girl. O.) Your expedition is at the center of a storm of controversy over salvage rights and even ethics. I have museum-trained experts here, making sure this stuff is preserved and catalogued properly. The video camera pans off Brock to the drawing, in a tray of water.

Yet, if we put double brackets around it, it will not issue an error statement, but will yield a wrong value (well, in 50% of the possible permutations). There are other permutations of the conditional which will give wrong output as well.

It will evaluate to 0 -eq false = success, which is wrong (hmmm.... Basically, anything (other than the error condition listed above) that sets a variable to a numerical value and compares it to a true/false builtin, or sets a variable to a true/false builtin and compares it to a numerical value.

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On the other side, crammed into the remaining space is a bearded wide-body named LEWIS BODINE, sho is also asleep. It gets brighter, lit from above, as MIR ONE enters FRAME and drops to the seafloor in a downblast from its thrusters. 6 The featureless gray clay of the bottom unrols in the lights of the subs. Stalactites of rust hang down so that at times it looks like a natural grotto, then the scene shifts and the lines of a ghostly undersea mansion can be seen again. It squeezes through the doorframe, scraping rust and wood chunks loose on both sides. LOVETT Okay, I want to see what's under that wardrobe door. The silt clears and Snoop's cameras show them what was under the door... ON THE SCREEN, in the glare of the lights, is the object of their quest: a small STEEL COMBINATION SAFE. STERN OF DECK OF KEDYSH - DAY THE SAFE, dripping wet in the afternoon sun, is lowered onto the deck of a ship by a winch cable. Brock nods to his technicians, and they set about drilling the safe's hinges. Now he is using deep submergence technology to work two and a half miles down at another famous wreck... He is with us live via satellite from a Russian research ship in the middle of the Atlantic... LOVETT ...a piece of paper that's been underwater for 84 years... Should this have remained unseen at the bottom of the ocean for eternity, when we can see it and enjoy it now...? One is ahead of the other, and passes close enough to FILL FRAME, looking like a spacecraft blazing with lights, bristling with insectile manipulators. INSIDE, it is a cramped seven foot sphere, crammed with equipment. He's in his late forties, deeply tanned, and likes to wear his Nomex suit unzipped to show the gold from famous shipwrecks covering his gray chest hair. It towers above the seafloor, standing just as it landed 84 years ago. TIGHT ON THE EYEPIECE MONITOR of a video camcorder. The 22 foot long subs are like white bugs next to the enormous wreck. Snoop Dog goes down several decks, then moves laterally into the First Class Reception Room. Lovett moves closer, peering into the safe's wet interior. Nearby, other artifacts from the stateroom are being washed and preserved. She is on an Empire divan, in a pool of light that seems to radiate outward from her eyes. At her throat is a diamond necklace with one large stone hanging in the center. O.) I'd rather show you than tell you, and we think we're very close to doing just that. Her face is a wrinkled mass, her body shapeless and shrunken under a one-piece African-print dress. LOVETT Nobody called the recovery of the artifacts from King Tut's tomb grave robbing. TILTING DOWN to follow it as it descends away into the limitless blackness below. ANATOLY MIKAILAVICH, the sub's pilot, sits hunched over his controls... He is a wiley, fast-talking treasure hunter, a salvage superstar who is part historian, part adventurer and part vacuum cleaner salesman. (REMOTELY OPERATED VEHICLE) pilot and is the resident Titanic expert. Brock Lovett's face fills the BLACK AND WHITE FRAME. The image pans to the front viewport, looking over Anatoly's shoulder, to the bow railing visible in the lights beyond. ANATOLY Is just your guilt because of estealing from the dead. Brock resumes his serious, pensive gaze out the front port, with the camera aimed at himself at arm's length. to see the sad ruin of the great ship sitting here, where she landed at in the morning, April 15, 1912, after her long fall from the world above. SNOOP'S VIDEO POV, moving through the cavernous interior. Glinting in the lights are the brass fixtures of the near-perfectly preserved fireplace. Nearby are the remains of a divan and a writing desk. Lovett grins wolfishly in anticipation of his greatest find yet. Buell is on the satellite phone with the INVESTORS. LOVETT You send out what I tell you when I tell you. Scrawled in the lower right corner is the date: April 14 1912. Lovett grabs a reference photo from the clutter on the lab table. a complex setting with a massive central stone which is almost heart-shaped. CUT TO: 16 INSERT A CNN NEWS STORY: a live satellite feed from the deck of the Keldysh, intercut with the CNN studio. HOUSE / CERAMICS STUDIO PULL BACK from the screen, showing the CNN report playing on a TV set in the living room of a small rustic house. O.) I've planned this expedition for three years, and we're out here recovering some amazing things... But her eyes are just as bright and alive as those of a young girl. O.) Your expedition is at the center of a storm of controversy over salvage rights and even ethics. I have museum-trained experts here, making sure this stuff is preserved and catalogued properly. The video camera pans off Brock to the drawing, in a tray of water. Yet, if we put double brackets around it, it will not issue an error statement, but will yield a wrong value (well, in 50% of the possible permutations). There are other permutations of the conditional which will give wrong output as well.It will evaluate to 0 -eq true = success but also to 0 -eq false = success, which is wrong (hmmm.... Basically, anything (other than the error condition listed above) that sets a variable to a numerical value and compares it to a true/false builtin, or sets a variable to a true/false builtin and compares it to a numerical value.

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